With the arrival of the first trailer of 'Han Solo: A Story of Star Wars' we have been able to see for the first time emilia clarke jacket the character of Emilia Clarke. A young woman known as 'Han Solo', who hides much more than she pretends.
They are about forty minutes in which the film acts as an accomplice and knowing that it is a minor entry within a canon dominated by a legendary film that depends too much to have any chance to stand on its own. It is a film in which Alan Taylor knows that it is not James Cameron and where Emilia Clarke and Jai Courtney know that they are not Linda Hamilton and Michael Biehn for a fundamental reason: because they look at him and know that Arnold Schwarzenegger knows that he is no longer Arnold Schwarzenegger, fully aware that the aura of invulnerability that defined his character (and that defined him as an interpreter) has disappeared completely. It is a deficit that the Austrian actor has admirably remodeled in his recent commitment to minority cinema, and even in action movies unraveled as The Expendables has limited to a circumstance that we can easily avoid. But in a film in which you give life to a supernatural and devastating force, the absence of mobility that Chuache has been suffering understandably for several years is a death sentence.
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Han Solo: A Star Wars story is following Amazon a fairly minimalist promotion method. With the trailer released just a couple of months before the movie hits theaters, there are many questions that fans ask about their favorite smuggler, their well-known allies and about the new characters in the film. Perhaps one of the most mysterious characters in the film is Qi'Ra, the young woman played by Emilia Clarke (Daenerys in 'Game of Thrones'), a woman who will act as femme fatale for our hero. For Clarke, this mystery is a vital part of her character, because even though we know that she and Han have known each other since childhood, since then life has gone on and on, and Qi'Ra only cares about surviving ... she alone. Luckily, in a recent interview, Emilia Clarke has decided to reveal some more clues about the common past between Han Solo and her. "They grew up as comrades, essentially,
They grew up as friends, as partners in the crime, Obviously, that woke up the romantic side of the story, But they grew up together They've been growing and evolving since childhood," the actress explained. "We are going to see the beginnings of this adorable rogue, his character is formed from his relationships, and Qi'Ra is very important in the development of the character, the goal is that Qi'Ra is always present in Han's personality, as a shadow of whom we all know, this girl is another layer of texture that shows us how different the Han is that we will see here for the first time, "he added.
So apparently the relationship with Qi'Ra play a pivotal role in the development of 'Han Solo' A Star Wars Story Jacket as a character. Well, maybe not so much, considering that the woman does not appear, not even mentioned, in the original trilogy. So either it was not that important, or it will die in the Ron Howard movie. After all, the world that we will see in 'Han Solo' is a dark and ruthless world, full of gangsters and criminals. "There is a large female presence in this movie, Han is surrounded by strong women, he does not know any woman who is not capable of defending himself, who has no game and chops, intelligence and ingenuity. There is in his life, and then, of course, he meets Leia, and we are surprised that he falls head over heels in love with her, "the actress added in her remarks. Will we notice in Qi'Ra part of the charisma of the great Leia Organa?
Terminator Genesis
You need more. Very good. Terminator Genesis will pass to my memory as the defining moment in which the long term of Hollywood ended out of control, because while it is not the first franchise that conceals information to the viewer with the intention of nurturing its interest for future continuations, it is the the first that does not know the most elementary difference between a chapter and a self-contained story: it is presented as a whole movie and at the same time it omits essential details so as to receive a minimum of coherence. I'll make it clearer: the plot of Terminator Genisys does not have the slightest sense and this is not an affirmation based solely and exclusively on my own understanding of the film; both the director, Alan Taylor, and the screenwriters, Laeta Kalogridis and Patrick Lussier, have publicly acknowledged (NOTICE: Both links contain IMPORTANT SPOILERS) that have built an incomplete film. And it is a real pity. For real. Terminator Genisys threatens to become a film with its own entity.
The first act of the film is a game, a science fiction mystery full of winks to amateurs and fans of the saga with a particular sense of fun based on the destruction of the historical rules traced by the history created 30 years ago by James Cameron and Gale Anne Hurd. Kyle Reese (Jai Courtney), soldier of a future in which Humanity has overcome a post-apocalyptic war against machines, returns to the past to protect from a killer robot Sarah Connor, the mother (Emilia Clarke) of the future leader of Resistance (John Connor, Jason Clarke) in a mission whose success guarantees the salvation of Humanity by closing the cycle of events. However, something has changed. This time, the machines get ahead of the events and our hero ends up in a parallel future in which Sarah is now protected by her own Terminator (affectionately called "The Grandfather", Arnold Schwarzenegger) Even sharing certain similarities with the original story, Kyle Reese goes into an unknown path that could end in a complete and absolute catastrophe and where the machines seem to have the frying pan by the handle. In a way, and to paraphrase Back to the Future II, Biff Tannen has taken the almanac. The question that this dysfunctional family must answer is "how".
They are about forty minutes in which the film acts as an accomplice and knowing that it is a minor entry within a canon dominated by a legendary film that depends too much to have any chance to stand on its own. It is a film in which Alan Taylor knows that it is not James Cameron and where Emilia Clarke and Jai Courtney know that they are not Linda Hamilton and Michael Biehn for a fundamental reason: because they look at him and know that Arnold Schwarzenegger knows that he is no longer Arnold Schwarzenegger, fully aware that the aura of invulnerability that defined his character (and that defined him as an interpreter) has disappeared completely. It is a deficit that the Austrian actor has admirably remodeled in his recent commitment to minority cinema, and even in action movies unraveled as The Expendables has limited to a circumstance that we can easily avoid. But in a film in which you give life to a supernatural and devastating force, the absence of mobility that Chuache has been suffering understandably for several years is a death sentence.
